‘The definition of a classic’: Kazuo Ishiguro’s Never Let Me Go at 20
A Booker-winning author, a Nobel prize-winning scientist and the directors of the film and stage adaptations on why Ishiguro’s dystopian tale still speaks to us today
School of hard knocks: the dark underside to boarding school books
Violence, cruelty and sexual confusion are as much a part of boarding school literature as japes and cricket. Alex Renton surveys a troubled genre from Kipling to Rowling
From high society to surrealism: in praise of Leonora Carrington – 100 years on
With her paintings and tales based on dreams, animals and the occult, Carrington was an uncanny original. Marina Warner salutes the artist on her centenerary
Graham Swift: ‘As a novelist, I’m in for the long haul’
From Ulysses to Last Orders, many novels have embraced a whole life, while dwelling on the passing of mere hours. Graham Swift on the importance of immediacy
Edna O'Brien: how James Joyce’s Anna Livia Plurabelle shook the literary world
When it was first published, Joyce’s Anna Livia Plurabelle was derided as the musings of a shipwrecked mind. Ninety years on, this section of Finnegans Wake offers a late example of his great, radical vision
James Baldwin’s Giovanni’s Room: an antidote to shame
Garth Greenwell first took solace from James Baldwin’s Paris novel Giovanni’s Room as a teenager. Sixty years after it was published, the prize-winning author acknowledges his debt to a classic of gay literature